Category: Film

Jeff’s Notes:

Inspired by Pavement’s “Shady Lane,” particularly the line “You’ve
been chosen as an extra in the movie adaptation of the sequel to your
life.”

The premise is that one day our main character Henry is reading the
newspaper or watching TV or something of the sort and he sees an ad
for a movie production that needs extras for a crowd scene, so he
decides to go and check it out. He gets chosen, and we watch what is
apparently one of the climactic scenes of the movie being filmed.
Strangely enough, the main character of the movie-within-a-movie has
the same name as Henry, and as he starts to find out more about it he
discovers that several other characters have the names of people he
knows.

He also discovers that the current movie is a sequel to an earlier
movie, which he goes and rents. As he is watching it, he becomes more
and more disturbed because the movie is about his life. (Ex: our movie
starts with a shot of him eating breakfast, and the rented movie
starts the same way but with a different actor playing Henry.) It
turns out that the movie was based on a book – now out of print – so
he contacts the publisher to see if he can figure out what is going
on.

When they meet for a lunch date, the first thing the publisher says is
“How very postmodern or you, Mr. Herman, to show up for a lunch date
after you’re already dead!” Turns out that the book is called “The
Boring Life and Unremarkable Death of Henry Herman (an Autobiography)”
and it has his picture on the back cover. The publisher says that he
always thought it was funny that someone wrote an autobiography “where
they died at the end.”

However, there is nothing Henry can do about the book or the movies;
the rights have been sold by mysterious unreachable persons, so Henry
decides that all there is for him to do is to sneak onto the movie set
to sabotage things. Every time he shows up for a scene they are
filming the character’s death scene, and every time they’ve re-written
it and are doing reshoots because they weren’t happy with the earlier
versions, and the more Henry watches the more he wants to find out
what happens in the movie.

Our movie will end with Henry dying somehow, most likely in a very
random and “unremarkable” fashion.

Note: the movies-within-the-movie should be absurd and over-the-top,
having rewritten his life and turned it into a thriller or some sort
of heightened drama; the actor “playing” Henry shouldn’t look at all
like him, and whereas Henry’s job is dull, the moviemakers have made
it so the same job seems somehow heroic.

Mark’s Notes:

I don’t know what kind of tone you were going for or intended. Anyway
these are just some notes and ideas I’ve come up with for the movie.
Feel free to like them or use them or not, I’m just hoping it inspires
you to write something.

– So the movie opens with a series of shots showing how boring this
guy’s life is. As the movie progresses and the details of his
autobiography come to light, the sequence is repeated more and more
but every time adding something more “interesting”. Splashes of colors
on the walls behind him, stuff like that. The sequence is shot again
using incredibly tight telephoto lenses with soft light. As the movie
progresses and these sequences showcasing Howard’s (or whatever his
name is) life continue it transforms and transcends just the basic
bland moments that are his life. He does the same thing every time but
it’s shot in such a way that makes it beautiful. We see the art in his
mundane, boring life.

– The main character should get a dog midway through the movie. It’s
simple and kind of cute, but let’s say we do one of the aforementioned
sequences and midway through one of them (let’s say he’s sitting down
eating dinner), the dog barks. He smiles and goes to pet the dog,
leaving the shot entirely. Him getting a dog and loving it is a really
simple little thing for most people, but for this character (and the
audience) the dog really enriches his life. We should set the movie up
so that, while his life is boring and monotonous, small & simple
things totally enrich it and make it well…nice…? The dog is also
one of the only characters that misses him when he dies…

– Howard Herman (is that his name? I can’t remember) has a really
boring and uninteresting life, but at the end of the movie both he
and the audience should feel really great about it all — the life
that he has led. I don’t know if this was the original tone and mood
you had for the movie when you conceived it, but I think the story
would work great as sort of a feel-good movie. At his death the main
character understands his life was kind of pointless and meaningless
— but he feels pretty good about it. At the credits people should
walk away from it feeling like their lives have been enriched by
knowing this simple little guy died happy.

– Howard gains access to the film location as people realize that it
is his autobiography that the movie is based on. He mostly hangs by
the craft services table.

– The main character should develop a kind of friendship with the
actor who is playing him in the movie. The actor is vapid and very
self-involved but seeks out Howard for “tips on how to get his
character right.” At one point the actor laments to Howard (in a very
self-absorbed and vapid way) that “this whole acting thing is for the
birds.” He comments about how he is always being interviewed and
hounded by paparrazi but his own life is very meaningless and
uninteresting — that he is cursed to always pretend to be somebody
else. That people aren’t interested in him at all, but rather the kind
of job he has – one in which he is always pretending to be something
he’s not.

– If one were to ask Superman what it is like to fly, he would tell
you he wouldn’t know. He is much too busy saving people that he never
stops to think what the act of flying actually is like. Something
along those lines should appear somewhere in the film. A quote by one
of the characters or something. Maybe the actor says it to the main
character in passing…I don’t know…

– Howard should establish a friendship or maybe a love-interest (even
though I really don’t want to turn this into a romantic comedy) with a
woman who works at the book store. She doesn’t like his book – she
thinks it’s boring, pretentious, and self-important.

— The way Howard dies: Although there are very little details in his
autobiography (the book should end with something like “And then I
died.” or “My death wasn’t anything spectacular.”) he dies in some
sort of accident involving himself and the actor portraying him. I
keep thinking car accident but I think something bizarre and freakish
would be better. Everybody rushes to see if the actor is okay (he has
a small scratch on his forehead) but everybody neglects Howard who is
bleeding profusely and breathing slowly. He dies with a smile on his
face. The only thing that misses him is his dog.